Storytime Chugs Into Children’s Imaginations

Storytime Chugs Into Children’s Imaginations:

Pre-K read at Fairfield Museum aligns with holiday train show

(Posted to 

Fairfield.Patch.com 12/15)

By Mike Lauterborn

© 2010. All Rights Reserved.

12/15/10

Fairfield, CT – With all the puffing and chugging sounds emanating from the high-ceilinged meeting space, one would think there were multiple trains close by whizzing around tracks. But it was the excited chatter of a small band of youngsters being entertained with train stories.

The site was the Fairfield Museum and History Center at 370 Beach Road and the event was a Pre-K morning storytime session being led by docent Barbara Lucia. The animated and engaging storyteller regaled about a dozen children and their parents and caretakers with train tales that were not of the commercial, modern norm and followed a more classic path.

“There seems to be a natural connection between children and trains,” said Walter Mathis, a museum coordinator. “They’re fascinated by the colors, numbers, the tracks, the movement. With the storytimes, we try to help them learn other train stories beyond the popular Thomas stories to help them connect.”

Besides being a docent and storyteller, Lucia is a former teacher and grandmother. She had selected a stack of books to work through but recognized that the group’s attention span might be limited. However, the youngsters were not only rapt, but very participatory.

Appropriately, the storytelling area had been set up directly adjacent to the museum’s Holiday Express Train Show displays. Sitting beneath a large wreath, Lucia began showing pictures of different trains from a book titled “Trains”.

Fairfielder Liz Holcomb and son Mason, 2, were among the visitors. “Mason loves trains,” said Holcomb. “He’s obsessed I’d say. He likes Thomas and Polar Express, so we thought we’d come out today.”

Lucia showed a picture of a locomotive and asked about the cowcatcher apparatus at the front and its purpose. “It’s to clear things off the tracks!” said Ethan Landsman, 4, brightly. Mom Eileen, who had Ethan’s little brother Cole in tow, said, “Ethan loves trains. He has the Thomas trains and was Thomas for Halloween last year. He rode his first real train last weekend with his dad, down to Rye. He was very excited.”

Lucia led the children in a chorus of “She’ll Be Comin’ Round the Mountain”, flailing her arms and acting out song elements, then launched into the book “The Little Engine That Could”, the classic written by Watty Piper and first published in 1930. The children all recited, “I think I can, I think I can, I think I can”, which Lucia said was a good attitude to have.

Other tales included “Trouble on the Tracks”, about a little boy’s cat that wanders onto his toy train tracks, and “Two Little Trains”, penned by Margaret Wise Brown, who also wrote “Goodnight Moon.”

Periodically, a child would split from the group, too curious about the train set-ups to sit still. Jack Short, 3, was one who wanted to see the displays, with dad John. “Jack likes Thomas and all his buddies. I took the day off so we could see the train show and listen to the stories.”

Another book called “That’s Not My Train” had textured pages and Lucia let the kids touch and feel them. They excitedly gathered in a tight circle around her. She then led them in singing “I’ve Been Working on the Railroad”, which elicited claps and squeals as the children participated.

“Many children are interested in how the particular trains on display work,” said Mathis. “One of the trains has a sound card in it that makes it sound like a real train.”

Mathis had no sooner said that then it came time to actually set all the trains, which had been idle in their respective displays, in motion. “What does the conductor say at the beginning of the train ride?” he asked. “All aboard!” came the reply as the train with the sound card lurched into action. It was followed by a Percy train and two others, including the popular Thomas train.

The trains circled in opposite directions, navigating the tracks, tunnels and bridges, delighting all in attendance.

Westport Bred Author Spotlights ‘Jeweler to the Stars’

Westport Bred Author Spotlights 
‘Jeweler to the Stars’:

Elizabeth Irvine Bray gives 

library talk on Paul Flato

(Appeared on Westport News 

website 12/15)

By Mike Lauterborn

© 2010. All rights reserved.

12/14/10

Westport, CT – It was a cataloguing job at Christie’s that first put the jeweler on her radar. Now she has unveiled a book about his life’s work and given him an official place in history.

The jeweler of note is Paul Flato and author Elizabeth Irvine Bray gave a comprehensive presentation about the colorful individual and his craft Tuesday morning Dec. 14 in the McManus Room at Westport Library, 20 Jesup Road.

Bray, 33, is a native daughter, born and raised in Westport and a 1994 graduate of Staples High School. After earning a dual degree in English and Studio Art from Carnegie Mellon University in 1998, Bray worked for a wholesale diamond dealer in New York’s diamond district. The experience sparked further interest in jewelry and she subsequently earned a graduate gemologist degree from the Gemological Institute of America.

In 1999, Bray landed a cataloguer job at Christie’s auction house and, over her nine years of employment there, she would often see Flato pieces spotlighted. What nagged at her was that there was so little information about Flato’s background as with other jewelers. Out of curiosity, she began researching him and uncovered a treasure trove of information – enough to compile a book she has just released titled, “Paul Flato: Jeweler to the Stars.”

Wearing a circa 1935 Flato brooch with a value of $35,000 on loan from a Chicago collector, Bray exposed the jeweler to an attentive library crowd of over two dozen people.

Flato was born in Texas in 1900 and ventured to New York in the 20s to attend Columbia University. He briefly apprenticed for a Swiss watchmaker then, at age 27, opened his own boutique on 57^th Street catering to socialites, Wall Streeters and the fashion conscious. He was flamboyant and loud and enlisted debutantes to model his work.

He collaborated with Harry Winston, who supplied him with gems, and worked with a team of designers to create pieces with complete originality. Flato was often inspired by nature, particularly leaves, and liked to add a touch of whimsy to his creations. He was also influenced by the Surrealist Art movement in Europe, as well as earlier eras like the Victorian age. Often, he would collaborate on a design with his customers, like Standard Oil heiress Millicent Rogers Balcom.

Flato’s most famous designer was Fulco, Duke of Verdura, with whom he shared a preference for a shocking use of color. They offered a line called “Verdura by Flato” before Verdura went on his own.

In the late 30s, Flato became hard of hearing and developed a line of brooches called “Deaf and Dumb” with hand symbols inspired by sign language.

His work was being featured regularly in Vogue and Harper’s Bazaar, which brought interest from the West Coast. Hollywood director George Cukor asked him to design jewelry for Katherine Hepburn for the film “Holiday.”

Ultimately, Flato opened a boutique on Sunset Blvd. in Hollywood and became the go-to of celebrities and film producers for custom jewelry creations. His clients included leading actresses Rita Hayworth, Greta Garbo, Paulette Goddard, Vivian Leigh, Marlene Dietrich, Joan Crawford and Ginger Rogers.

Several events in the early 1940s altered Flato’s course. A robbery netted $50,000 from his boutique, the Japanese attacked Pearl Harbor pulling America into WWII and forcing Americans to reprioritize spending, and a $60,000 diamond on loan to him vanished from his shop. With regard to the latter, an investigation found that he had been pawning consignment pieces and he was charged with grand larceny. He traded a designer suit for prison grays at Sing Sing for a term of 18 months.

In the 50s, Winston and Verdura replaced him as the glitterati’s jeweler of choice and he subsequently left the U.S. for Mexico where, in 1970, he opened a tiny boutique. It wasn’t until 1990 that he returned to the U.S., where his work and designs had gained high ticket collector value. He passed at age 99 in July 1999.

“He defied the odds of rising from the grassroots of Texas to the limelight of Hollywood,” said Bray, “and from the shame of being imprisoned to the pleasure of being accepted again in high society. This uniquely talented legend of the twentieth century has finally found his place in history.” 

“Kid Kulture” Photo Exhibit a Study of Innocence

“Kid Kulture” Photo Exhibit 
a Study of Innocence:

Show will run Dec. 10 – Feb. 20 

at Westport Arts Center

(Appeared on Westport.Patch.com 12/13)

By Mike Lauterborn

© 2010. All Rights Reserved.

12/10/10

Westport, CT – It was an exploration of innocence and an environment in which the work of the master and the work of the student blended together in perfect harmony.

The occasion was the opening night of a new photo exhibit titled “Kid Kulture” at the Westport Arts Center at 51 Riverside Ave. Featured were the works of accomplished professional photographers of the 20^th century but also select photos by local children ages 5 to 18, hanging right alongside them. The subject matter was children going about their daily activities and the exhibit was curated by Helen Klisser During, the Director of Visual Arts for the Center.

“Photos are grouped in clusters of four or five, organized by themes including playfulness, water, haircuts, etc.,” explained Alyssa Crouse, the Center’s Marketing and Communications Director. “Typically, you’ll get four shots from a professional and then one from an amateur child mixed in.”

A call for entries invited local children to submit one photo that represents their life. Submissions were juried by Karen Marks of the Howard Greenberg Gallery. In all, 41 out of 118 submissions made the cut, though all submissions have been included on a video loop and are available to be viewed. Said Crouse, “Every child’s contribution is valuable to the show.”

One amateur “artist” was Carly Curran, 5, whose photo of her 2-year-old brother Charlie sleeping – a photo she titled “Shhhh” --  was featured. She proudly stood beside it with sister Shea, 7, and mom Stacie. Stacie thought it was amusing that Carly did not have a camera of her own and had to borrow her sister’s, and ultimately the shot made the show.

Klisser During was very enthused about how the exhibit had evolved. “This is exactly what one would hope for. The heartbeat of every exhibit is to inspire. This mix and match to bring major artwork to Westport but then to have juried kids’ work side by side is amazing. The children’s photos hold and having their perspective on their own world is very important.”

In addition to the children-focused photos, four pedal cars on loan from the Stamford Museum were on display. A series of photographs of Star Wars figurines, comparing in each case one from 1977 to one from 1997, were also shown, courtesy of husband/wife team Max Becher and Andrea Robbins.

The show was co-sponsored by Pepperidge Farm and Center board member Gary Cosgrove. Their funding allowed for framing, operating costs and the jurying process. Pepperidge Farm President Pat Callahan was glad to be supporting. “We know Helen and how passionate she is about art. We love the connection with kids given our Goldfish snack product. This is a great opportunity to give back.”

Another young artist was Elizabeth Bennewitz, 13, of Coleytown Middle School. She said, “Our school has a photo club and our teacher told us about the competition and to take a photo of a kid. I hoped my photo would make it and was really excited when it did. My twin sister Mary also got one in, so I was glad.”

As patrons, numbering over 200, studied photos and helped themselves to a generous spread of nibblies from a festively decorated table, the Center’s Executive Director Nancy Heller thanked everyone for coming. “’Kid Kulture’ celebrates the spirit of childhood, as well as the wealth of talent in the community,” she said.

Klisser During joined Heller to add that the exhibit is about continuing to explore and complimented the young artists on their work. “Their images are simple and powerful and align with the professionals.”

An adjunct to the exhibit was “Facebook Faces”, consisting of 80 photos and sketches contributed by Carson Einarsen, 16. Starting this past July 18, Einarsen had photographed a friend a day, and then sketched the friend from the photo. He framed the two images side by side in each case and planned to continue for a year’s time.

“I contacted the Center to see if I could do a small event at the end of the year’s period, but Helen thought my work should be part of Kid Kulture. This is the 145^th day of my project,” said Einarsen.

Summing up the event, Visual Arts Coordinator Catherine Sippin said, “This has been really special and the children’s work is often as sophisticated as the more accomplished work. And it’s really special for the kids to see their work displayed.”

Making the Scene with Hobbyist Jeff Zeleny

Making the Scene with 
Hobbyist Jeff Zeleny:

Model train enthusiast gives 

tips on landscape creation

(Appeared on 

Fairfield.Patch.com 12/12)

By Mike Lauterborn

© 2010. All Rights Reserved.

12/12/10

Fairfield, CT – Hills. Rocks. Grass. Trees. Most of us take them for granted. But when it comes to integrating them in model railroad set-ups, they’re anything but trivial for hobbyist Jeff Zeleny. They are key to making a model railroad come to life.

A model railway scenery workshop that Zeleny was scheduled to conduct at Fairfield Museum and History Center on Beach Road Sunday afternoon Dec. 12 was cancelled, but he connected with Patch by phone to share some tips and techniques.

Zeleny has been model railroading for the past 30 years, starting and sticking with HO scale trains. He is a member of the Fairfield-based Housatonic Model Railway Club and maintains a 45 ft. x 30 ft. layout in the basement of his Fairfield home. On the side, he also helps individuals plan, repair and build all different scales of model railroad set-ups.

“I’m knowledgeable in the art of model railroading, including scenery, and the owner of Hobbytown asked me to do a clinic at the museum aligned with the museum’s December train month,” said Zeleny. The Housatonic Model Railway Club, in fact, created a set-up for the museum’s Holiday Express Train Show, which is currently on exhibit.

“Scenery is the difference between looking at a piece of wood with track on it to a scene where your mind envisions a real train running through the countryside,” said Zeleny. “When it comes to scenery, you are only limited by your imagination.”

Zeleny noted that the concepts for doing scenery really haven’t changed much over the years. “The nice thing that we have today is the multitude of resources available through the internet including how-to videos, instruction books and CDs, to guide and teach the average person how to fulfill their image of what they want their railroad to look like.”

The hobbyist said that some people create scenes of mountains, hills and trees, while some create scenes of buildings, roads, and industrial areas. “The basic scenery – hills, trees, grass – is very easy to do and comprises using newspaper, cardboard, plaster, paint and commercially available trees,” he said.

Zeleny suggested that a good way to start is to decide on the topography you want to create. For a hill, you can use cardboard strips glued or stapled in a crosshatch pattern to your set-up’s wood base in the shape you want your hill to be. Then you mix up plaster, dip strips of paper in it and cover the mound. You let this dry and then use acrylic paint in an earth tone to color it. “You should try to be realistic and match real earth tones,” suggested Zeleny.

At that point, Zeleny guided, you can leave it a hill or add plaster castings of rocks. The castings are made by pouring plaster in rock-shaped molds. When dry, these are removed and placed on the hill wherever appropriate. As poured, these are white, so you will want to colorize them with paint. To effect New England scenes, Zeleny says paint shades burnt umber, yellow ochner and black are popular.

Zeleny said you actually “wash” the rock with a small amount of diluted paint and a brush, and create a speckled pattern. Then a mixture of India ink with a drop of dishwashing soap and some water is sprayed on the rock creation to blend the colors and bring out the rock’s highlights.

Ground cover is the next important element and deciding on the type is key. For grass, there are 20-30 different types and colors of artificial substances available through hobby stores or online. To select areas of your hill, you brush on a mixture of matte medium glue, water and dish soap then affix your grass.

Trees are the final basic elements. “You can buy an already-made commercial tree or assemble them from kits. Or you can pick weeds from the roadside in fall, dry them and shape them in the form of a tree,” said Zeleny. For the trunks, Zeleny sprays on brown paint. Then he dips them into a glue/water/soap mixture and next into a canister of ground cover. These are hung upside down to dry, then affixed to the hill in punched holes with white glue that dries clear.

There are many variations to scene creation, said Zeleny, and buildings are a whole other level of dimension. “It’s about fooling the eye, similar to when you go to a play or Broadway show where they create scenes that make you think you’re somewhere you’re not.” 

Santa’s House Full of Visitors

Santa’s House Full of Visitors:

25^th Annual Burr Homestead event draws big crowds

(Appeared on Fairfield.Patch.com 12/11)

By Mike Lauterborn

© 2010. All Rights Reserved.

12/11/10

Fairfield, CT – When Santa opened his house for a visit, he probably didn’t bargain on having the whole community tromp through.

But that was the case Saturday Dec. 11 when the Junior Women’s Club of Fairfield opened to the public the Burr Homestead at 739 Old Post Road for its 25^th Annual “A Visit to Santa’s House” event. Scheduled for 10am-4pm today and 10am to 2pm on Sunday, Dec. 12, the affair is made possible by presenting sponsor Newman’s Own, house sponsor General Electric and a host of other companies sponsoring specific activity rooms. The event benefits Brady’s Smile, a Fairfield-based non-profit that helps families with children in the neo-natal and pre-natal ICU’s at local hospitals.

Bridget Perry, Co-Chair of the event and a JWC member, said the whole house was devoted to the event and that this was the second year that JWC was supporting Brady’s Smile. Last year, the event raised $18,500 for the organization.

Perry led Patch on a tour, beginning with a room to the right of the entry hall that contained donated items, including many gift baskets, for a raffle. While parents reviewed these, their children could have their faces painted or take a photo with a costumed Rudolph the Red Nosed Reindeer.

Facepainter Caroline Kane, 14, applied a Christmas tree design on seven-year-old C.J. Vinas’ cheek while Vinas’ mom Jennifer looked on. “We wanted to see Santa and have some fun in Fairfield,” Jennifer mentioned.

An adjacent back room contained baked goods donated by JWC members as well as gingerbread houses and kits, all for sale. Perry said that pizza, water and Goldfish snacks would also be available later in the day.

In a kitchen area, Mrs. Claus visited with children like Grace McCormack, 6, and brother Liam, 4, who were visiting with mom Siobhan. “We’re having fun,” Siobhan said. “We came to see Santa and all the decorations and get into the season.”

A back entertainment room with big picture windows was hosted by Little Gym and featured a rotating schedule of activities including dance and music provided by Lenihan School of Irish Dance, Flash Pointe Dance, World Champion Taekwondo and Suzuki Music School. Madeline Gilhuly, 5, was recruited for an interactive session while parents Bill and Samantha and sister Lucy, 2, sat by.

“We came out to see Santa and do arts and crafts and enjoy the holidays,” said Samantha.

A last room on the main floor was devoted to crafts and, there, JWC volunteer Sue Martin worked on greeting card designs with six-year-old twin daughters Lindsay and Lauren. Parents and children at several stations busily worked on cards, ornaments and wrapping paper.

On the second floor, a gift shop sponsored by Southport dentist Dr. Salvatore Pizzino featured small toy items that children could buy for their siblings. There was also a second free style craft area here and a small room in which artist Deborah O’Connor created silhouettes of visitors.

Another entertainment room sponsored by Giant Steps Toy Store featured rotating activities including storytime, holiday puppet shows and instrumental performances. Next door, a train room sponsored by Hobbytown contained a G-Scale train circling a small tree and passing through Christmassy scenes.

In the hallway, Gabby Camarro, 9, and friend Emily Cholokian, 9, were picture posing with a costumed Frosty the Snowman character. Gabby’s dad, Tom, remarked, “I love to bring them down for Santa and to see the dancing. It gets them in the spirit.”

“We love Christmas! It’s awesome!” the girls squealed.

Of course, Santa’s House wouldn’t be Santa’s House without Santa and there the jolly fellow sat in his own sectioned off front room under heavy security – or at least a couple of helpers that escorted young visitors to see him. One visitor was Elizabeth Magy, 5, attending with parents Russ and Amy, from Fairfield. “Elizabeth wished for Zhu Zhu Park. It’s just magical in here. It’s the place to be,” said Amy.

Perry agreed, citing, “There’s something for everyone and kids of all ages. Community organized and funded. We encourage area residents to make this event part of their family tradition.” 

Walk and Talk a Feathery Affair

Walk and Talk a Feathery Affair:

Naturalist Dick Worth hosts bird chat at Audubon Society

(Appeared on Fairfield.Patch.com 12/11)

By Mike Lauterborn

© 2010. All Rights Reserved.

12/11/10

Fairfield, CT – If you wanted to know about the birds that call Fairfield home during the wintertime, then Dick Worth is the man to see.

The long-time birder and naturalist hosted a “Walk and Talk” with that very focus mid-morning Dec. 11 at the Connecticut Audubon Society’s Larsen Sanctuary at 2325 Burr St.

Worth, 65, professes a lifelong interest in bird watching that started as a child in New York City and continued when he moved to Fairfield in the 1980s. For about 10 years, he led school groups on spring and fall tours of the Larsen Sanctuary then, two years ago, began teaching a bird watching course for adults at Birdcraft Museum on Unquowa Road. About eight to 10 people typically attend the 4-week program to talk about bird calls and go on hikes to look at birds. Unfortunately, due to the recession, the fall course was not held this year.

Standing at the top of the steps at the Society’s main facility watching a flurry of activity at an adjacent feeder, Worth named the types of birds that can be seen in the winter or are year-round residents. “A number of American Goldfinch stay here for the whole winter and are frequent feeders,” he said. “Then there’s the Tufted Titmouse and Black Capped Chicadee, both of which are here year round. You can also see the White Throated Sparrow.”

He said that though owls stay in the area, you would be unlikely to see them as they are nocturnal. But one could definitely see small woodpeckers like the Hairy and Downy breeds and larger woodpeckers like the Flicker and Red-Bellied variety. Another bird that people might see is the White Breasted Nuthatch, which looks similar to the Chicadee.

He explained that these birds are seed-eating and that they follow a pattern of nesting and mating in the spring and usually have four or five offspring. Unfortunately, only about one in five of the offspring survive, due to predators like hawks, disease or injuries suffered from falls when learning to fly.

“Kestrel Hawks will hang out around a feeder and swoop down and kill a bird,” said Worth. One, in fact, was hovering in a nearby tree as he spoke.

About the birds in general, he said each has a different sound. “You start to get familiar with their calls, which is easiest in the winter because of the small number of birds that stay here. In the spring, when other birds return, you are already familiar with the calls of the winter crop, so learning the sounds of the other birds is easier.”

Worth said the secret to birding is to find a popular spot the birds frequent and to stay there. “Often, that’s a place that has water, like a pond, where they come to drink, or a meadow, where there are usually seeds on the ground and predators can be spotted,” he said.

One of the key things an aspiring birdwatcher can do is always look up. “You’re more likely to see birds in trees than at eye level,” Worth remarked.

There was a very plaintive screech as Worth excitedly said, “Oh, wow, look at that! A Broad Shouldered Hawk! He’s watching that feeder.” Sure enough, though it was hard to spot at first, the massive bird was perched on a limb of a tree.

“You can see how well they camouflage themselves. There are barely any leaves up there and he blends right in,” said Worth.

The bird man said this pursuit is popular because it requires so little. “You really just need a good set of standard binoculars and a good bird identification book, though you need patience, too. You have to stand there and wait for the birds to appear.”

Worth’s career path has been as windy as the Sanctuary’s trails, with an early start as a newspaper reporter for the old Hartford Times, a Gannett paper. For the past 30 years, he has written history texts and biographies. He’s also a jazz piano player and conducts a “Keys” instructional program for children in kindergarten through 6^th grade in the Bridgeport school system.

Surprisingly, Worth has not written about his hobby, though he’s extremely knowledgeable. “There are so many books out there, I never felt there was a need for another.”

But he certainly is passionate about his pursuit. “Bird watching is a very, very relaxing way to spend time. It’s being out in the woods with a purpose. What it enables you to do is see some of the most spectacular creatures. Some of these birds are just gorgeous. There’s no end to the amount of time you can spend doing it.”

Ogden House Tour a Trip Back in Time

Ogden House Tour 
a Trip Back in Time

(Appeared on 

Fairfield.Patch.com 12/10)

By Mike Lauterborn

© 2010. All Rights Reserved.

12/10/10

Fairfield, CT – As homes in Fairfield go today, the Ogden House would have construction code issues with the zoning board, but in its day, it was considered a stately residence owned by a well-to-do family.

The historic saltbox with its hand-planed shingles at 1520 Bronson Road held a candlelight open house early evening Dec. 10. It was hosted by the Fairfield Museum and History Center and featured a team of docents in period costume giving background about the house and its owners and a glimpse of life back in 1750, when the home was constructed.

A front walkway lined by paper bags containing candles led to the entryway of the home. Just inside, docent Barbara Lucia greeted visitors and collected a $3 admission fee. “This is my second year doing this,” said Lucia. “I’m a newbie. History was always something I was interested in. At this point in life, as a retiree, you look for something constructive to do.”

In a front dining room, docent Patricia Rock pointed out features, like a gate leg table at its center. She explained that the table would normally be pushed to a corner to allow activities of the times like spinning yarn on a loom, working with flax to make linen and carding wool, which involves combing it to pull fibers into straight rows.

“Spinning was constant as all the clothing and bedding had to be made,” said Rock. “Flax growing was mandated and there were a couple of acres of the plants grown near the house.”

Rock mentioned that fellow docent Harry Audley grows flax to use for demonstrations. Standing nearby, Audley said, “It’s a long process. It’s seeded in March, pulled and dried in July, placed in a stream for 21 days in August to dissolve the gelatins around the fibers, then dried and hung in a barn. Then it’s brought down, put through a flax break to break the shell and pulled through a hetchel to straighten the fibers for spinning.”

In an adjacent back room, called the keeping room, docent Roberta Garbarini offered baked goods and piping hot apple cider from a long table. As people filed in, she went into action. “This is where the fire was kept,” she said. “David Ogden was gifted the house on his wedding night. The fire would have to be kept going all night as it would be difficult to reignite. A teenager would have tended it and slept down here. Jane Ogden would bake pies and bread over the fire.”

This small snippet of information was enough to gain an appreciation for the challenges of living in these parts 260 years ago when the home was built, suggested Bill Vogel, president of the Fairfield Museum. “This is a throwback to Colonial times right here in our neighborhood. It’s a great opportunity to see how tough it was to get by back then,” he said.

“The Ogdens were actually fairly well off,” added Vogel. “Most residences were half or a quarter of the size. You can see that even with their rudimentary tools, they built houses to last.”

Pooh Donahue of Fairfield, visiting with her children Andrew, 5, Tommy, 4, and Ronan, 5, were curious about the home. “I wanted to bring the kids to learn about history and this old-fashioned house.”

The family tromped from the back room into a north parlor on the opposite side of the house. Rock explained that the room was used for entertaining, and a small table for tea parties, card games, the drinking of rum and a smoke with clay pipes. There was also a desk here where Mr. Ogden did his accounting of trades – often his crops for the wares of a neighboring cobbler.

The upper portion of the home contained the family’s sleeping quarters, including a master bedroom with a four-post bed and fireplace, which was actually quite cozy looking.

Back down below, museum coordinator Walter Mathis spoke about how sugar was packaged, in a 4 to 6 inch cone. A small tool called a nipper would be used to break off pieces, though sometimes the children would sneak down and bite off a piece – hence the term “little nipper” -- a fact that delighted the little nippers in attendance.